Artist living in Harlem

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Khari Turner (b. 1991) is an American artist. His works are expressive of how he uses spontaneous brushstrokes very intensively, and clear depcition of the African Amerian’s features of nose and mouth, yet in chaotic and immersive texture with the various interesting effects, they are embodies of the popular culture within their community, they show a strong attitude and pride.

Even that he works with very surrealistic colourful palette with canvas, but I excessively love the monochromatic black and white in a combination with the colour and the flesh. These are ink on paper, and splash and smear use of black and white paint, so many interesting actions with the drips; scribble; bleed and smear…

The noses and lips of black skin represent my history and connection to my heritage, but they also represent the fact that people with wider noses, thicker lips, and darker skin statistically getting longer prison sentences in the US and this positive and negative is what drive the point of the work.

Khari Turner
“To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time” this piece is named after a James Baldwin quote. I could tell you I planned on making this piece before all of the protest, but as I was making it, that’s all I could think about. I do not feel like being this mad but I can’t help that. I don’t want to make work directly about the protest but I know it’s going to happen. This month I have dedicated to making something everyday for the month of June. As an artist and as my own person I fought to get where I am now, I can’t let those before me down and I need to push. If you know anything about me or my work, you know that this is where my heart will always take me. I have donated to so many things lately. I hope everyone has the opportunity and can donate to many causes. If you have a reliable and safe org to donate to leave it in the comments. I can’t go outside so I’ll make work and keep donating to those who are protesting. #bricklanegalleryopencall @bricklanegallery

https://khariturner.com/about

https://www.instagram.com/khari.raheem/

Daniel Richter

Daniel Richter, ‘Tarifa’, 2001
Tarifa, 2001
Oil on canvas, 137 4/5 × 110 1/5 in, 350 × 280 cm
Daniel Richter, ‘Süden’, 2002
Süden, 2002
Oil on canvas
289.4 × 299.6 cm
Daniel Richter - Grimm Gallery
Gundula, 2001
Oil on canvas
230 x 150 cm
Daniel Richter, Flash (small version), 2009
Flash (small version), 2009
Oil on canvas
270 x 220 cm

Daniel Richter, ohne Titel (untitled), 2009
ohne Titel (untitled), 2009
Oil on canvas, 298 x 598 cm | 117 3/8 x 235 3/8 in

Daniel Richter (b. 1962) is a German painter whose strongly coloured, often slightly surreal paintings convey current events and art historical issues with an irreverent and energetic approach.

A way of working through the insecurity, fear and paranoia of being in the world. The key, he says, is to avoid distance and to make painting human: “The moment you take something that has a human effect on you, something you can’t describe, the whole thing transforms from a topic to something that is about yourself.”

“I wanted to bring as much information into a painting as possible, which was, on a very simple level, a way of coping with reality,”

in the painting Tarifa, that moves me so much, not only the vivid colour almost-fluorescent colors and variegated brushstrokes. This reminds me of heat detection of living beings… these figures are crammed and flowing in a small representation of a dark sea… cold and desperate… the strong distortion of the facial expression… these are indexes for danger, for fear and death, for a clue in topic of refugee, or a situations of rebellion.

i think the fluorescent colour and psychedelic scene is a very contemporary approach, as the paint is only relatively new, here i dig into some research on paint that has fluorescent pigment / or even glow in the dark.

The brothers Robert C. Switzer (1914 – 1997) and Joe Switzer where the inventors of the first fluorescent pigments which they called Day-Glo. Felix De Boeck (°1898 – + 1995) is one of those first artists to experiment with fluorescent colors. The Boeck only made eighteen fluorescent paintings. “ He used earlier grafisms – mostly self-portraits, portraits of Vincent Van Gogh and a few abstract works”. He soon realized that fluorescent paints have a limited lifespan. In conclusion: Fluorescent painting only last a short time. Even if the works are conserved optimally, the first signs of intensity loss will be visible after five years.

https://grimmgallery.com/artists/46-daniel-richter

https://journals.openedition.org/ceroart/1659